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Samuel Beckett is unique in literature. Born and educated in Ireland, he lived most of his life in Paris. His literary output was rendered in either English or French, and he often translated one to the other, but there is disagreement about the contents of his bilingual corpus.

Some features may be unavailable in Safari Private Browsing mode. This website requires JavaScript. Please enable JavaScript to improve your experience. Today these plays are profound, funny, and more pertinent than ever. For those less familiar with Beckett as an artist or his many plays, it may help to better understand his place in theatrical history and the specific genre of writing he has come to define in this modern era. When Beckett died in , The New York Times spent much of its obituary detailing the profound impact he had on theatre:. Before Beckett there was a naturalistic tradition.

After him, scores of playwrights were encouraged to experiment with the underlying meaning of their work as well as with an absurdist style. As the Beckett scholar Ruby Cohn wrote: "After Godot , plots could be minimal; exposition, expendable; characters, contradictory; settings, unlocalized, and dialogue, unpredictable. Blatant farce could jostle tragedy. In he was awarded the Nobel Prize in literature for a body of work that 'has transformed the destitution of man into his exaltation. Beckett and the Mythology of Psychoanalysis.

Barnard, Guy C. Barr, Richard L. Barry, Elizabeth.

Just Play: Beckett's Theater (Princeton Legacy Library)

Begam, Richard. Samuel Beckett and the End of Modernity. Bentley, Eric. What Is Theatre? A Query in Chronicle Form. Berbes, Khaled. Berlin, Normand.

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Amherst: Univ. Bermel, Albert.

‘What? Where?’ Presence and Repetition in Beckett’s Theatre

Bersani, Leo, and Ulysse Dutoit. Arts of Impoverishment: Beckett, Rothko, Resnais. Birkett, Jennifer. Waiting for Godot by Samuel Beckett. Basingstoke: Macmillan Educational, Bishop, Tom. Blau, Herbert. The Eye of Prey: Subversions of the Postmodern. The Impossible Theater: A Manifesto. Sails of the Herring Fleet: Essays on Beckett. Blin, Roger. Blumenthal, Eileen. Joseph Chaikin: Exploring at the Boundaries of Theater. Bode, Christoph. Trier, Germany: WVT, Boyce, Brynhildur. Newcastle upon Tyne: Cambridge Scholars, Bradbrook, Muriel C.

Brandabur, A. Joseph and Janet Wilson, eds. Global Fissures, Postcolonial Fusions. Brater, Enoch. NY: Oxford UP, Brereton, Geoffrey. Coral Gables, FL: Univ. Bronsen, David. Spiker et al. Aging and the Elderly: Humanistic Perspectives in Gerontology. Brown, John R. Cox and D. Palmer, eds. Brownstein, Oscar L.

Strategies of Drama: The Experience of Form. Bryden, Mary. Samuel Beckett and the Idea of God. Basingstoke: Macmillan, , see index. London: Macmillan, , especially Bull, John. British Theatre in the s. Sheffield: Sheffield Academic Press, Buning, Marius. Busi, Frederick A. The Transformations of Godot. Lexington: Univ. Twentieth-Century European Drama. Irish Writers and Religion. London: Macmillan, Campbell, James.

NY: Scribner, Cantor, Jay. The Space Between: Literature and Politics.

Caponi, Paolo. Carpenter, Charles A. Carter, Steven R. Catanzaro, Mary F. Meyer, ed. Literature and the Grotesque. Cave, Richard A. Cavell, Stanley. Chen, Fu-jen. Kelly, eds. Translation: Religion, Ideology, Politics. Binghamton: State Univ. Chiari, Joseph.

Just Play Becketts Theater

Landmarks of Contemporary Drama. NY: Brunner-Routledge, Cochran, Robert. Barfoot and Rias van den Doel, eds. Coe, Richard N. NY: Grove, page study of philosophical aspects of the fiction, with little reference to drama.

Samuel Beckett: Silence to Silence

Back to Beckett. Modern Shakespeare Offshoots. Samuel Beckett: The Comic Gamut. Kennedy on His 70th Birthday. Oslo: Novus Press, Connor, Steven. Samuel Beckett: Repetition, Theory and Text. Oxford: Blackwell, , especially Cook, Albert S.